I went to the same Cursor hackathon twice. The first time I built a 3D luxury sauna. The second time I brought my mom and built a 3D memory of Venice. The difference says something about what abundant software may actually be for.
At the opening of the Estonian National Museum, a former Soviet runway became a national metaphor for memory, reinvention and a country still learning how to take off.
Photographs record the life I lived. Screenshots preserve the larger field of possibilities around it: unfinished intentions, recurring obsessions, abandoned futures and the changing shape of my attention.
Viljandi Folk was changing my hometown, my behaviour, and my sense of what a temporary world could be long before I had the language to call any of it design.
A faded V&A Dundee receipt records the exhibition I entered. Memory kept something else: Scotland's shipbuilding history and the attempt to turn waves into power.
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